A TikTok cover may look deceptively simple: one singer, one smartphone, one well-known song. Yet behind a few seconds of content lies a complex web of intellectual property rights. A cover version can involve rights in the underlying musical composition and lyrics, the performer’s own neighbouring rights, the audiovisual recording of the video, and, increasingly, the licencing arrangements put in place by social media platforms. This raises a recurring question for creators and rights holders alike: when a user performs someone else’s song on TikTok, does recording and posting that cover require permission, and if so, from whom? This article explores the issue from an EU, German and French perspective.
- EU perspective: several rights in one cover
At EU level, the starting point is the distinction between the underlying song, the singer’s new performance and any existing recording used in the video. Under the InfoSoc Directive, recording and uploading a cover may engage the author’s reproduction and communication-to-the-public rights in the composition and lyrics. The singer may, in turn, hold neighbouring rights in their own recorded performance.
Where the creator sings over the original track, additional rights of the original performers and the phonogram producer may also be involved. An a cappella cover avoids using the original recording, but the underlying composition and lyrics remain protected. EU copyright law provides certain exceptions, including quotation, criticism, parody and pastiche. However, there is no general exception permitting covers simply because they are short, non-commercial or posted on social media. The cover singer may hold performers’ rights in their own performance, but those rights coexist with the copyright subsisting in the underlying musical work and do not necessarily extend to every element of the resulting recording.
- TikTok and platform licences: does the platform solve everything?
As a major user-upload platform, TikTok generally falls within the category of online content-sharing service providers targeted by Article 17 of the DSM Directive. Article 17 addresses the platform side of the equation by requiring such providers to obtain authorisation from rights holders for protected content uploaded by users and by establishing the conditions under which they may incur liability where no authorisation has been obtained.
TikTok’s music ecosystem often creates the impression that copyright issues have already been resolved. To some extent, this is true: platforms such as TikTok typically rely on licensing agreements with major rights holders, including record labels and collecting societies, allowing users to incorporate a wide range of musical works into their content within the functionality and terms of the platform. These licences reduce the burden on individual creators and facilitate the day-to-day use of music on the platform.
However, creators should not assume that all rights are automatically cleared. Platform licences generally cover only certain uses and may not extend to every territory, type of content, or commercial exploitation. Furthermore, the exact scope of these licenses is often not transparent to users. Crucially, a creator recording a cover produces a new performance and a new audiovisual recording: several layers of rights coexist, including rights in the musical composition, the lyrics, and the performance itself. The existence of a platform licence does not eliminate the need to assess whether additional permissions are required and, for this reason, users should not automatically treat Tik Tok license agreements as a blanket authorization.
- The German perspective: cover or adaptation?
Under German copyright law, the starting point is the distinction between the underlying song and the singer’s own performance. The composition and lyrics are generally protected as musical and/or literary works within the meaning of § 2 UrhG. A singer who records a TikTok cover may also benefit from neighbouring rights as a performing artist, since § 73 UrhG expressly protects those who sing, play or otherwise perform a work.
However, these performers’ rights do not replace the rights in the original song. Uploading a cover to TikTok may involve making the underlying work available to the public within the meaning of § 19a UrhG. In practice, licensing may be handled through platform arrangements or collecting societies such as GEMA, but creators should not assume that every use is covered. Particular caution is required where the cover goes beyond a faithful interpretation: under § 23 UrhG, adaptations or other transformations of a work, including a melody, generally require the author’s consent before publication or exploitation. This may be relevant, for example, where lyrics are changed, translated or substantially rearranged, or where the creator uses the original master recording or a third-party instrumental track.
- The French law perspective: performers’ and moral rights
Under French copyright law, a song is protected as a musical work, while performers benefit from neighbouring rights over their own interpretation. A TikTok cover may therefore engage both the author’s rights in the composition and lyrics and the performer’s rights in the recorded performance, governed by the French Intellectual Property Code.
France transposed Article 17 of the DSM Directive through loi n° 2021-1382, reinforcing the obligations of online content-sharing platforms to obtain authorisation for protected content uploaded by users. In practice, platforms such as TikTok rely on licensing arrangements with collecting societies such as SACEM, publishers and other rights holders. Nevertheless, French law provides no broad exception permitting users to freely upload cover versions online. The non-commercial nature of a post or the fact that it is shared on social media does not remove the need to consider copyright clearance.
French law also grants authors extensive moral rights, including the right to respect for the integrity of their works. Consequently, a cover version that substantially alters the lyrics, meaning or artistic expression of a song may raise issues extending beyond economic rights alone.
- Practical takeaway: before hitting “publish”
Posting a cover on TikTok is rarely a copyright-free act, regardless of how spontaneous or non-commercial it may appear. The singer may hold rights in their own performance, but the underlying song – and, where used, the original recording – remains protected. Platform licences provide a useful starting point and facilitate many uses of music on social media, but they do not resolve every rights question. Particular care is therefore required where a cover substantially changes the original song, uses third-party recordings or forms part of commercial, branded or monetized content.
The practical lesson is simple: the singer may hold rights in their own performance, but not necessarily the song.
Ultimately, the legal assessment will depend on several factors, including the nature of the cover, the music used, the scope of any applicable platform licences and the intended exploitation of the content.

